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The New York Times bestselling novel about a young man practicing magic in the real world, now an original series on Syfy
“The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. . . . Hogwarts was never like this.”
—George R.R. Martin
“Sad, hilarious, beautiful, and essential to anyone who cares about modern fantasy.”
—Joe Hill
“A very knowing and wonderful take on the wizard school genre.”
—John Green
“The Magicians may just be the most subversive, gripping and enchanting fantasy novel I’ve read this century.”
—Cory Doctorow
“This gripping novel draws on the conventions of contemporary and classic fantasy novels in order to upend them . . . an unexpectedly moving coming-of-age story.”
—The New Yorker
“The best urban fantasy in years.”
—A.V. Club
Quentin Coldwater is brilliant but miserable. A high school math genius, he’s secretly fascinated with a series of children’s fantasy novels set in a magical land called Fillory, and real life is disappointing by comparison. When Quentin is unexpectedly admitted to an elite, secret college of magic, it looks like his wildest dreams have come true. But his newfound powers lead him down a rabbit hole of hedonism and disillusionment, and ultimately to the dark secret behind the story of Fillory. The land of his childhood fantasies turns out to be much darker and more dangerous than he ever could have imagined. . . .
The prequel to the New York Times bestselling book The Magician King and the #1 bestseller The Magician's Land, The Magicians is one of the most daring and inventive works of literary fantasy in years. No one who has escaped into the worlds of Narnia and Harry Potter should miss this breathtaking return to the landscape of the imagination.
From the Trade Paperback edition.
- Sales Rank: #4851 in eBooks
- Published on: 2009-05-22
- Released on: 2009-08-11
- Format: Kindle eBook
Amazon.com Review
Amazon Best of the Month, August 2009: Mixing the magic of beloved children's fantasy classics (from Narnia and Oz to Harry Potter and Earthsea) with the sex, excess, angst, and anticlimax of life in college and beyond, Lev Grossman's Magicians reimagines modern-day fantasy for grownups. Quentin Coldwater lives in a state of perpetual melancholy, privately obsessed with his childhood books about the enchanted land of Fillory. When he’s admitted to the surreptitious Brakebills Academy for an education in magic, Quentin finds mastering spells is tedious (and love is even more fraught). He also discovers his power has thrilling potential--though it's unclear what he should do with it once he's moved with his new magician cohorts to New York City. Then they discover the magical land of Fillory is real and launch an expedition to use their powers to set things right in the kingdom--which, naturally, turns out to be a much murkier proposition than expected. The Magicians breathes life into a cast of characters you want to know--if the people you want to know are charismatic, brilliant, complex, flawed magicians--and does what Quentin claims books never really manage to do: "get you out, really out, of where you were and into somewhere better. " Or if not better, at least a heck of a lot more interesting. --Mari Malcolm
From Publishers Weekly
Harry Potter discovers Narnia is real in this derivative fantasy thriller from Time book critic Grossman (Codex). Quentin Coldwater, a Brooklyn high school student devoted to a children's series set in the Narnia-like world of Fillory, is leading an aimless existence until he's tapped to enter a mysterious portal that leads to Brakebills College, an exclusive academy where he's taught magic. Coldwater, whose special gifts enable him to skip grades, finds his family's world mundane and domestic when he returns home for vacation. He loses his innocence after a prank unintentionally allows a powerful evil force known only as the Beast to enter the college and wreak havoc. Eventually, Coldwater's powers are put to the test when he learns that Fillory is a real place and how he can journey there. Genre fans will easily pick up the many nods to J.K. Rowling and C.S. Lewis, not to mention J.R.R. Tolkien in the climactic battle between the bad guy and a magician. 5-city author tour.(Aug.)
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From The New Yorker
This gripping novel draws on the conventions of contemporary and classic fantasy novels (most obviously, those of J. K. Rowling and C. S. Lewis) in order to upend them, and tell a darkly cunning story about the power of imagination itself. Quentin Coldwater is a geeky high-school senior in Brooklyn who is convinced that happiness and “the life he should be living” are elsewhere—for example, in the series of nineteen-thirties British adventure novels that he was obsessed with as a child. When Quentin stumbles on a portal that takes him to a college for magicians in upstate New York, he learns that the world depicted in these novels, known as Fillory, is real, and he is forced to square his youthful ideas with the realities that exist there, too—boredom, regret, shame, and despair. Quentin’s journey becomes an unexpectedly moving coming-of-age story in which he learns that magical worlds are much like the real one, in that they are places “where bad, bitter things happened for no reason, and people paid for things that weren’t their fault.”
Most helpful customer reviews
6 of 6 people found the following review helpful.
so I'm somewhat prone to the "If you like Harry Potter
By tarheelsooner
I grew up as a Harry Potter kid, so I'm somewhat prone to the "If you like Harry Potter, you should try..." tactic. That's how this book was marketed to me, but I don't find the comparison between the two to be very natural. Yes, both books are about angsty boys who go to magic schools where they suddenly find that they fit in better than in the real world, but I found the similarities between the two to end there. The main character's entire tenure at the school fits into the first book, and Grossman takes a much closer look at what happens to graduates of magic schools than does Rowling. Further, Grossman's book has a much more melancholy feel to it than does the Potter series.
Finally–I did not like the protagonist of the first book very much. There were aspects of his personality that would make me never want to hang out with him in real life, which concerned me as I considered whether to start the second book in the trilogy. As the second book is told primarily from the perspective of a different character, I was happy to find that the unpleasant aspects of the protagonist's personality are a part of the character, and not some sort of "inherent truth" that Grossman was trying to convey.
Very enjoyable.
3 of 3 people found the following review helpful.
Funny, poignant, wry fantasy
By Tim Himes
I let the negative reviews here dissuade me from reading this book for a long time, but I'm so glad I finally did. I've now read the entire series through twice, and I can't think of a book (or series) that's affected me so powerfully, or that I've enjoyed so much, in many years.
I can see how the main character, Quentin, can get on people's nerves. He's depressed, he's cranky, he often fails to see the amazing world right in front of his face. But that's kind of the point. It takes a while for some of us to grow up. And it takes some sympathy and a bit of effort to love Quentin. Personally, I got there, and I enjoyed watching him mature and learn to love.
These books are not derivative. Yes, there's a school for magic, but it's completely unlike Le Guin, Rowling, etc. The main characters drink, have sex, and delight in profanity. Sometimes they are mean or even downright nasty to one another. (And these are the good guys.) There's also a Narnia-like land. But the gods aren't like Aslan, in fact they're kind of jerks. In the end, Fillory isn't so different from earth -- it's just prettier. So there is an element of wry commentary directed at the fantasy genre, but it's loving, and it turns the conventions upside down.
I couldn't put the books down, laughed every other page, and even found many parts surprisingly touching. There's a lot going on here. It isn't your standard fantasy fare, and I for one am delighted with that. I'm just sad that the series ended at three books.
2 of 2 people found the following review helpful.
Reviewers who are disappointed that this is not another iteration of the Harry ...
By Lookfar
Reviewers who are disappointed that this is not another iteration of the Harry Potter or Narnia series are missing the point. This is not an fantasy adventure book or even a book about magic, whee! I would liken it most to A Wizard of Earthsea - a bildungsroman, a coming of age story. Quentin, the teenaged main character, is not hugely sympathetic at the beginning, but in the course of the trilogy he matures. The magical world element is used in a speculative way: what would people who could do magic, and were therefore almost limitless in their abilities, decide to do with their lives? Mopey, dissatisfied Quentin must engage the question we all do eventually: how, then, must I live? Watching him develop, make terrible mistakes and pay for them, and eventually find himself to be a real adult who can live in the real world, is a pleasure equal to the fantastic plotting and world-building.
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